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	<id>https://qetlab.com/wiki/index.php?action=history&amp;feed=atom&amp;title=Ballet_Dance_Studio</id>
	<title>Ballet Dance Studio - Revision history</title>
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	<updated>2026-11-06T11:39:22Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://qetlab.com/wiki/index.php?title=Ballet_Dance_Studio&amp;diff=23026&amp;oldid=prev</id>
		<title>JudsonBrace3990 at 11:01, 5 September 2021</title>
		<link rel="alternate" type="text/html" href="https://qetlab.com/wiki/index.php?title=Ballet_Dance_Studio&amp;diff=23026&amp;oldid=prev"/>
		<updated>2021-09-05T11:01:55Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 11:01, 5 September 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;br&amp;gt;And thanks, Ms. Mariana. You &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;may &lt;/del&gt;have taught me not just to love &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[https://clasificados.ligueselsalvador.com/user/profile/414198 &lt;/del&gt;ballet&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]&lt;/del&gt;, but &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;in addition &lt;/del&gt;the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;beauty of &lt;/del&gt;contemporary dance as effectively. I &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;like &lt;/del&gt;the model you taught me, because the movements are &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;stunning&lt;/del&gt;. I &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;believed &lt;/del&gt;contemporary was difficult, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;but &lt;/del&gt;I had come to &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;understand &lt;/del&gt;that each &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;form &lt;/del&gt;of dance is &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;difficult&lt;/del&gt;, I simply had &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;more experience &lt;/del&gt;with ballet. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Thanks &lt;/del&gt;for &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;instructing &lt;/del&gt;me &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;another fashion&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;because &lt;/del&gt;doing &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;just &lt;/del&gt;one dance could &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;possibly &lt;/del&gt;be &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;a bit &lt;/del&gt;boring.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Katy Pyle: For me, it comes &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;back &lt;/del&gt;to dance… &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;constructing &lt;/del&gt;and making. There’s been an illusion of &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;energy &lt;/del&gt;belonging to &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1 &lt;/del&gt;individual within the historical past of dance firms and dance-making processes. And in my &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;experience &lt;/del&gt;as a performer - since that’s been &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;loads &lt;/del&gt;of my life - I’m at all times contributing and &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;everybody &lt;/del&gt;else in the room is contributing. There’s a group of people that come collectively physically and mentally to make one thing &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;happen&lt;/del&gt;.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Early classical ballets &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;reminiscent of &lt;/del&gt;Giselle and La Sylphide &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;have been &lt;/del&gt;created &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;during &lt;/del&gt;the Romantic Motion in the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;primary &lt;/del&gt;half of the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;nineteenth &lt;/del&gt;century. This motion influenced &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;art&lt;/del&gt;, music and ballet. It was involved with the supernatural world of spirits and magic and &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;sometimes showed women &lt;/del&gt;as passive and fragile. These themes are &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;reflected in &lt;/del&gt;the ballets of the time and are &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;referred to as &lt;/del&gt;romantic ballets. This &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;is also &lt;/del&gt;the time frame when dancing on the tips of the toes, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;often called &lt;/del&gt;pointe work, became the norm for the ballerina. The romantic tutu, a calf-length, full skirt &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;product of &lt;/del&gt;tulle, was &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;launched&lt;/del&gt;.&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;br&amp;gt;And thanks, Ms. Mariana. You &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;could &lt;/ins&gt;have taught me not just to love ballet, but &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;also &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;fantastic thing about &lt;/ins&gt;contemporary dance as effectively. I &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;love &lt;/ins&gt;the model you taught me, because the movements are &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;gorgeous&lt;/ins&gt;. I &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;assumed &lt;/ins&gt;contemporary was difficult, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;however &lt;/ins&gt;I had come to &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;appreciate &lt;/ins&gt;that each &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;type &lt;/ins&gt;of dance is &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;challenging&lt;/ins&gt;, I simply had &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;extra expertise &lt;/ins&gt;with &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[https://magireco.wiki/wiki/Colton_Ballet_School &lt;/ins&gt;ballet&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]&lt;/ins&gt;. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Thank you &lt;/ins&gt;for &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;teaching &lt;/ins&gt;me &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;one other model&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;as a result of &lt;/ins&gt;doing &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;only &lt;/ins&gt;one dance could be &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;somewhat &lt;/ins&gt;boring.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Katy Pyle: For me, it comes &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;again &lt;/ins&gt;to dance… &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;building &lt;/ins&gt;and making. There’s been an illusion of &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;power &lt;/ins&gt;belonging to &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;one &lt;/ins&gt;individual within the historical past of dance firms and dance-making processes. And in my &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;expertise &lt;/ins&gt;as a performer - since that’s been &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;a lot &lt;/ins&gt;of my life - I’m at all times contributing and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;everyone &lt;/ins&gt;else in the room is contributing. There’s a group of people that come collectively physically and mentally to make one thing &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;occur&lt;/ins&gt;.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Early classical ballets &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;corresponding to &lt;/ins&gt;Giselle and La Sylphide &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;were &lt;/ins&gt;created &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;through &lt;/ins&gt;the Romantic Motion in the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;first &lt;/ins&gt;half of the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;19th &lt;/ins&gt;century. This motion influenced &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;artwork&lt;/ins&gt;, music and ballet. It was involved with the supernatural world of spirits and magic and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;infrequently confirmed girls &lt;/ins&gt;as passive and fragile. These themes are &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;mirrored within &lt;/ins&gt;the ballets of the time and are &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;called &lt;/ins&gt;romantic ballets. This &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;can be &lt;/ins&gt;the time frame when dancing on the tips of the toes, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;known as &lt;/ins&gt;pointe work, became the norm for the ballerina. The romantic tutu, a calf-length, full skirt &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;made from &lt;/ins&gt;tulle, was &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;introduced&lt;/ins&gt;.&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
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		<author><name>JudsonBrace3990</name></author>
	</entry>
	<entry>
		<id>https://qetlab.com/wiki/index.php?title=Ballet_Dance_Studio&amp;diff=21395&amp;oldid=prev</id>
		<title>AltonVann0899: Created page with &quot;&lt;br&gt;And thanks, Ms. Mariana. You may have taught me not just to love [https://clasificados.ligueselsalvador.com/user/profile/414198 ballet], but in addition the beauty of cont...&quot;</title>
		<link rel="alternate" type="text/html" href="https://qetlab.com/wiki/index.php?title=Ballet_Dance_Studio&amp;diff=21395&amp;oldid=prev"/>
		<updated>2021-09-05T04:51:35Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;&amp;lt;br&amp;gt;And thanks, Ms. Mariana. You may have taught me not just to love [https://clasificados.ligueselsalvador.com/user/profile/414198 ballet], but in addition the beauty of cont...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;lt;br&amp;gt;And thanks, Ms. Mariana. You may have taught me not just to love [https://clasificados.ligueselsalvador.com/user/profile/414198 ballet], but in addition the beauty of contemporary dance as effectively. I like the model you taught me, because the movements are stunning. I believed contemporary was difficult, but I had come to understand that each form of dance is difficult, I simply had more experience with ballet. Thanks for instructing me another fashion, because doing just one dance could possibly be a bit boring.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Katy Pyle: For me, it comes back to dance… constructing and making. There’s been an illusion of energy belonging to 1 individual within the historical past of dance firms and dance-making processes. And in my experience as a performer - since that’s been loads of my life - I’m at all times contributing and everybody else in the room is contributing. There’s a group of people that come collectively physically and mentally to make one thing happen.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;Early classical ballets reminiscent of Giselle and La Sylphide have been created during the Romantic Motion in the primary half of the nineteenth century. This motion influenced art, music and ballet. It was involved with the supernatural world of spirits and magic and sometimes showed women as passive and fragile. These themes are reflected in the ballets of the time and are referred to as romantic ballets. This is also the time frame when dancing on the tips of the toes, often called pointe work, became the norm for the ballerina. The romantic tutu, a calf-length, full skirt product of tulle, was launched.&amp;lt;br&amp;gt;&lt;/div&gt;</summary>
		<author><name>AltonVann0899</name></author>
	</entry>
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